![]() As designers we should take care to think about our impact on the visual world around us. Often times the vector art is all that gets used by a client in their production process. It is extremely important to start with a strong vector design. Free online resources are seemingly limitless, however here are two examples of free resource websites:Īny designer interested in honing their rendering skills should consider expanding far beyond the examples above and looking for “materials” that match their aesthetic and taste. In this case I chose to use fabric textures, plaster textures, and photoshop brush sets. ![]() The first step to starting any rendering project is collecting “materials”. This abuse is strongly discouraged in the interest of filling the world with strong designs. Please note: While rendering can be very helpful to morally sound designers, it can also be abused to skew the perception of an aesthetically weak designs to impress a client. This process should be at least slightly different for every designer if any creativity and individuality is to be achieved. This tutorial is not to be followed explicitly, but rather to be seen as an introduction to the process of rendering a process of trial and error, pushing and pulling, and experimenting with a design until it succeeds. In this tutorial, the style of vintage faded logos will be explored an effect that can be useful in proposing brand identities that might include stamps, cloth, wooden signs or other vintage aesthetics.īefore beginning it should be noted that rendering is an art form in itself. Rendering is a powerful computer skill that can help designers communicate ideas, moods or feelings to clients.
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